Laquita Mitchell

Laquita Mitchell

Soprano Laquita Mitchell consistently earns acclaim on eminent international opera and concert stages worldwide. Ms. Mitchell performed the soprano soloist in the world première of Pulitzer Prize-winning composer Paul Moravec’s Sanctuary Road at Carnegie Hall with Oratorio Society of New York which was nominated for a 2021 Grammy for Best Choral Performance.  Additional recent performances include the title role in Tom Cipullo’s Josephine with Opera Colorado, as well as The Promise of Living, a concert program conceived by Ms. Mitchell, Bess in Porgy and Bess with Grange Park Opera in the UK, Lithuanian State Symphony, Detroit Symphony, and Baltimore Symphony, a reprisal of Sanctuary Road with the Columbus Symphony, a Gala Concert for Colorado Symphony, and Mahler’s Symphony No. 4 and Barber’s Knoxville: Summer 1915 with the Augusta Symphony.

She appeared in New York Philharmonic’s Bandwagon concerts and the Kauffmann Music Center’s Musical Storefront series in the spring of 2021 as part of New York City’s Pop-Up Arts Revival, and performed Mahler’s 4th Symphony for Rhode Island Philharmonic.  Summer, 2021, she sang the soprano soloist for the Opening Night concert of Classical Tahoe’s 10th Anniversary Season as well as in Bard Music Festival’s concert performances of Nadia Boulanger and Her World.

Calendar

Event Date
Jan 6
to
Jan 9
Josephine
Josephine
New Orleans Opera
New Orleans, Louisiana
Jan 21
to
Jan 29
Lesson Plan
Robinetta
On Site Opera
New York, New York
Event Date
Mar 25
to
Mar 27
Beethoven's 9th Symphony
Soprano Soloist
Memphis Symphony Orchestra
Memphis, Tennessee
Event Date
Apr 23
to
Apr 24
The Ordering of Moses
Soprano Soloist
Bach Festival Society of Winter Park
Orlando, Florida
Event Date
May 7
to
May 8
Brahm's Requiem
Soprano Soloist
Albany Pro Musica
Troy, New York
May 28
to
Jun 13
Omar
Julie
Spoleto Festival
Charleston, South Carolina

Artist Bio

Soprano Laquita Mitchell consistently earns acclaim on eminent international opera and concert stages worldwide.  In her compelling début as Bess in Porgy and Bess with the San Francisco Opera, Opera News said “Laquita Mitchell, in her first outing as Bess, dazzled the SFO [San Francisco Opera] audience with her purity of tone and vivid theatrical presence.” She has since reprised the role with The Atlanta Opera, The Tanglewood Festival, Madison Symphony, Boston Symphony Orchestra, Cleveland Orchestra, Toledo Opera, Springfield Symphony, Baltimore Symphony, Santa Barbara Symphony, Jacksonville Symphony, Sheboygan Symphony, Traverse City Symphony, the Margaret Island Open-Air Theatre in Budapest for their summer festival, and as the season opener for the Energa Sopot Classic Festival with the Polish Chamber Philharmonic Orchestra. Additionally, PBS invited Ms. Mitchell to perform a solo recital including excerpts from Porgy and Bess with pianist Craig Terry for the Television Critics Association Press Tour in Los Angeles in preparation for the broadcast and DVD release of SFO’s Porgy and Bess.

Ms. Mitchell performed the soprano soloist in the world première of Pulitzer Prize-winning composer Paul Moravec’s Sanctuary Road at Carnegie Hall with Oratorio Society of New York which was nominated for a 2021 Grammy for Best Choral Performance.  Additional recent performances include the title role in Tom Cipullo’s Josephine with Opera Colorado, as well as The Promise of Living, a concert program conceived by Ms. Mitchell, Bess in Porgy and Bess with Grange Park Opera in the UK, Lithuanian State Symphony, Detroit Symphony, and Baltimore Symphony, a reprisal of Sanctuary Road with the Columbus Symphony, a Gala Concert for Colorado Symphony, and Mahler’s Symphony No. 4 and Barber’s Knoxville: Summer 1915 with the Augusta Symphony.

Most recently, she appeared in New York Philharmonic’s Bandwagon concerts and the Kauffmann Music Center’s Musical Storefront series in the spring of 2021 as part of New York City’s Pop-Up Arts Revival, and performed Mahler’s 4th Symphony for Rhode Island Philharmonic.  Summer, 2021, she sang the soprano soloist for the Opening Night concert of Classical Tahoe’s 10th Anniversary Season as well as in Bard Music Festival’s concert performances of Nadia Boulanger and Her World.

Future engagements include Brahms’ Requiem with Albany Pro Musica, Beethoven’s 9th Symphony for the Memphis Symphony, and The Ordering of Moses for the Bach Festival Society of Winter Park,. Ms. Mitchell will also create the role of Julie in the World Premiere of Grammy Award-Winner Rhiannon Giddens’ OMAR with the Spoleto Festival USA, perform the role of Robinetta in On Site Opera’s production of Rachel J. Peters’s Lesson Plan, and reprise the role of Josephine for New Orleans Opera.

Notable engagements include the role of Coretta Scott King in I Dream with Opera Grand Rapids, Toledo Opera and Opera Carolina, Violetta in La traviata Opera Memphis, New York City Opera, and Edmonton Opera, and Donna Anna in Don Giovanni with Florentine Opera and Portland Opera. Recent concert engagements include the soprano solo in Beethoven’s Symphony No. 9 with Berkeley Symphony, Mahler’s Symphony No. 2 with Missoula Symphony, and her return to the Philadelphia Orchestra to perform in their Academy Ball alongside Steve Martin and led by Yannick Nézet-Séguin.

In her role début as Violetta in La traviata with New York City Opera, she was labeled “extraordinary,” thanks to her “wide expressive range and big-hearted sound that contains just a hint of sexy smokiness. Her ‘Sempre libera’ was enlivened by a rhythmic clarity that made it seem almost danceable.” Other appearances include Leonora in Il trovatore in South Carolina as well as with Nashville Opera; Countess in Le nozze di Figaro with Toledo Opera;  the role of Sharon in Terrance McNally’s Master Class at the Kennedy Center; Musetta in La bohème in a return to the Los Angeles Opera; Mimì in La bohème with Cincinnati Opera, and at the Utah Symphony and Opera; Donna Anna in Don Giovanni with Florentine Opera, Portland Opera, and Opera New Jersey; Clara in Porgy and Bess with Los Angeles Opera, Washington National Opera, Opéra Comique in Paris and on tour in Caen and Granada, Spain; and Micaëla in Carmen with New York City Opera, Opera Pacific, and most recently, Cincinnati Opera, where the Cincinnati Enquirer hailed “Mitchell shone in the role of Micaëla, the peasant girl who loves Don José. She was a natural actress, and sang with expressive beauty whenever she was onstage.”

An active concert artist, Ms. Mitchell recently performed Beethoven’s Symphony No. 9 with the Philadelphia Orchestra at Saratoga Performing Arts Center; Over the Rainbow – an evening honoring Harold Arlen at Weill Recital Hall at Carnegie Hall; Barber’s Knoxville: Summer of 1915 with the Louisville Orchestra; a début with the New World Symphony in Alberto Ginastera’s Cantata para la América Mágica; the world première of composer Steven Stucky’s August 4, 1964 with Dallas Symphony Orchestra; her Boston Symphony Orchestra début as the soprano soloist in Wynton Marsalis’ All Rise under the direction of Kurt Masur; and the soprano solo in Tippett’s A Child of our Time with the Washington Chorus at Kennedy Center. She has also performed with the Philadelphia Orchestra, New Jersey Symphony, Princeton Symphony Orchestra, the New York Symphonic Ensemble at Alice Tully Hall, and with Branford Marsalis and the Garden State Philharmonic. Additionally, she performs in recitals annually at Harare International Festival of the Arts in Zimbabwe.

Ms. Mitchell is an alumna of the Houston Grand Opera Studio, where she performed a variety of roles including stand-out performances in contemporary operas such as Orquidea in Daniel Catán’s Salsipuedes (world première), Myhrrine in Mark Adamo’s Lysistrata (world première), Barena in David Alden’s production of Jenůfa, and The Water in Rachel Portman’s The Little Prince (world première) directed by Francesca Zambello and conducted by Patrick Summers. Ms. Mitchell was previously a member of the San Francisco Opera’s world-renowned Merola Program. She then joined Wolf Trap Opera in performances as Alice Ford in Antonio Salieri’s Falstaff, Donna Elvira in Don Giovanni, and presented a recital with renowned pianist Steven Blier.

A native of New York City, Ms. Mitchell was a 2004 Metropolitan Opera National Council Auditions Grand Prize Winner, and was awarded a Sara Tucker Award. She was also the First Prize Winner of the Wiener Kammer Oper’s Hans Gabor Belvedere Competition, making her the first American to win this competition in over twenty years. Additionally, Ms. Mitchell was the First Prize Winner of the Houston Grand Opera Eleanor McCollum Competition for Young Singers, as well as the winner of the Audience Choice award. Ms. Mitchell holds a Master of Music degree and the Professional Studies Certificate at the Manhattan School of Music, and completed undergraduate studies at Westminster Choir College.

Updated August 31, 2021.

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Press

"...showed off a supple and refined soprano as Bess..." – Boston Globe

Porgy and Bess – “Laquita Mitchell showed off a supple and refined soprano as Bess, infusing the role with a touching vulnerability and innocence yet at the same time an awareness of her own weakness that gave her portrayal a weightier pull.”

"...the most purely gorgeous piece of the evening..." – Opera News

Sanctuary Road – “…and the gleaming soprano Laquita Mitchell gave a captivating, heartfelt plea for "Rain," in what was the most purely gorgeous piece of the evening”

"...round, colourful tone shimmers with vivacity..." – Schmopera

La traviata – "“Anchoring the cast was soprano Laquita Mitchell, in her Canadian debut as the tragic heroine Violetta Valéry. ...Her round, colourful tone shimmers with vivacity, character and depth as she takes us on Violetta’s emotional journey. On this night, Mitchell handled the acrobatics of Violetta’s signature aria “Sempre libera” with aplomb, but it was in her dramatic interactions with her costars that brought the audience to its feet."

“...the evening’s most alluring singing..." – Cincinnati Enquirer

Carmen – “The evening’s most alluring singing came from Laquita Mitchell, as the peasant girl Micaela.”

"...the stand-out Sunday was soprano Laquita Mitchell..." – Asbury Park Press

Don Giovanni – “Perhaps the stand-out Sunday was soprano Laquita Mitchell as Donna Elvira, the woman tortured by her love for a man she knows to be a lying scoundrel. Mitchell’s acting is good, catching both Elvira’s lust and her righteous devotion to the cause of love in each glance and gesture. Her voice is even better, with focused fullness, purity and control across its entire range.