Laura León

Laura León

Cuban soprano Laura León is quickly becoming a rising star on the operatic stages with a voice that “sparkles, seduces and languishes.” Laura made her dèbut as Queen of the Night in Die Zauberflöte with Orchestra Miami under the baton of Elaine Rinaldi, as well as a Florida Grand Opera dèbut as Frasquita in Carmen with subsequent performances as Mother of Peasant in Before Night Falls and Cristina Kahlo in Frida.

Most recently, Ms. León performed the role of Queen of the Night in Die Zauberflöte with Opera in Williamsburg, Susana in Figaro 90210! With Chautauqua Opera, the Four Heroines in Les contes dHoffmann with Opera Orlando, Norina in Don Pasquale with Gulf Shore Opera, and Amore in Orfeo ed Eurydice with Opera in Williamsburg.

Calendar

Event Date
Feb 13
to
Feb 20
Frida
Cristina Kahlo
Opera Southwest
Albuquerque, New Mexico
Event Date
Mar 19
to
Mar 19
Frida
Cristina Kahlo
El Paso Opera
El Paso, Texas
Event Date
Jun 24
to
Jun 26
The Tales of Hoffmann
Olympia, Antonia, Stella
Opera Louisaine
Baton Rouge, Louisiana

Artist Bio

Cuban soprano Laura León is quickly becoming a rising star on the operatic stages with a voice that “sparkles, seduces and languishes.” Laura made her dèbut as Queen of the Night in Die Zauberflöte with Orchestra Miami under the baton of Elaine Rinaldi, as well as a Florida Grand Opera dèbut as Frasquita in Carmen with subsequent performances as Mother of Peasant in Before Night Falls and Cristina Kahlo in Frida.

Most recently, Ms. León performed the role of Queen of the Night in Die Zauberflöte with Opera in Williamsburg, Susana in Figaro 90210! With Chautauqua Opera, the Four Heroines in Les contes dHoffmann with Opera Orlando, Norina in Don Pasquale with Gulf Shore Opera, and Amore in Orfeo ed Eurydice with Opera in Williamsburg. This season she will perform Adina in L’elisir d’Amore with Opera in Williamsburg, Cristina Kahlo in Frida with both El Paso Opera and Opera Southwest, and the Heroines in Les Contes d’Hoffmann with Opera Delaware.

Previous operatic engagements have also included Pamina in Die Zauberflöte with Opera Lousiane, Zerbinetta in Ariadne auf Naxos with Opera Fusion, Lucia in excerpts from Lucia di Lammermoor with Magic City Opera, La Princesse Laoula in Chabrier’s L’étoile, Marguerita Fiorentino in Weill’s Street Scene, Musetta in La bohème, and Lola in Dueling Divas. Laura’s musical theater credits include Maria in West Side Story, Lady Larken in Once Upon a Mattress, Woman 1 in I Love You, and Lulu in Cabaret.

On the concert stages, Laura has performed as a soloist in Gounod’s St. Cecilia Mass, Orff’s Carmina Burana, Beethoven’s Choral Fantasia and Egmont, Handel’s Messiah, Mozart’s Missa Solemnis, Rutter’s Requiem, Al Borde de la Esperanza with University of Miami, and in the Ernesto Lecuona International Festival with Alba Productions.

Laura was a recent Jensen Foundation Competition finalist 2019 and 2018, Giulio Gary Competition Finalist 2019, 2nd place Winner in the Deborah Voigt Rising Stars Competition with Vero Beach Opera, 1st place winner of the Metropolitan National Council Competition for the District of Florida 2018, she won 2nd place in the St. Petersburg Opera Competition 2019 and 2018 and 1st place in the NSAL district competition 2018. She also won 1st place in the Zarzuela de las Americas Competition 2015, and 1st place Concerto Competition at Florida International University 2015.

Laura has a Masters of Music in Voice Performance from Florida International University, a Bachelor of Arts in Voice Performance from Nyack College, and an Associate in Arts in Music Education from Miami Dade College and works as a teacher of New World School of the Arts as well as Area Stage Company.

Updated September 1, 2021.

Video

Doll Song

Elle a Fui

Press

“…sizable, juicy sound…” – Palm Beach Arts Paper

Don Pasquale – “The most impressive singing – bel canto exemplified – came from the Norina, Laura León. A Florida Grand Opera resident artist from 2015-17, the Cuban-born soprano is now much more than that. A pert and lively figure on stage, she has a sizable, juicy sound, high notes to burn including sustained high Fs – think Queen of the Night and more – and is equally at home in legato singing and intricate coloratura. Her delivery of her opening aria, “Quel guardo il cavaliere,” would stand up to any I know, past or present.”

“…tremendous support…” – Concerto Net

Carmen – “The two other females, Laura León (Frasquita) and Courntey Miller (Mercédès), demonstrated tremendous support. The card trio followed by “Quant au douanier…” were exceptional.”

“…ingratiating feisty persistence…” – Opera News

¡Figaro 90210! – "Laura Leon (Susana), verbally keen in both languages, showed the sunny lyric-soprano flow and ingratiating feisty persistence. The unconventional use of Susana's final aria -- as a shared plea for mutual understanding -- proved thematically relevant and moving”