Todd Thomas

Todd Thomas

Recognized by opera companies and critics alike as one of the true Verdi baritones gracing stages today, Todd Thomas continues his tenure as one of America’s most sought-after artists. In the title role of Macbeth, Opera News depicted his performance as “warm and centered in his tone with subtle phrasing that emphasized the introspective, almost poetic quality of the tormented king.” At Lyric Opera of Chicago’s season opening performance of Verdi’s Otello, Mr. Thomas heroically stepped in for an indisposed colleague at the top of the second act. The thrilling performance at The Lyric “earned him deservedly the largest ovation at the end of the night from the glittery opening night audience.” (The Chicago Classical).

This season, Mr. Thomas will perform the title role of Rigoletto with both Florentine Opera and Florida Grand Opera, Michele in Tabarro for Opera Santa Barbara, and a return to Theater Erfurt as the title role in Nabucco. Upcoming engagements include a reprisal of his Amonasro in Verdi’s Aïda with Tulsa Opera.

 

Calendar

Event Date
Jul 15
to
Aug 7
Nabucco
Nabucco
Theater Erfurt
Erfurt, Germany
Event Date
Feb 25
Aida
Amonasro
Tulsa Opera
Tulsa, OK

Artist Bio

Recognized by opera companies and critics alike as one of the true Verdi baritones gracing stages today, Todd Thomas continues his tenure as one of America’s most sought-after artists. In the title role of Macbeth, Opera News depicted his performance as “warm and centered in his tone with subtle phrasing that emphasized the introspective, almost poetic quality of the tormented king.” At Lyric Opera of Chicago’s season opening performance of Verdi’s Otello, Mr. Thomas heroically stepped in for an indisposed colleague at the top of the second act. The thrilling performance at The Lyric “earned him deservedly the largest ovation at the end of the night from the glittery opening night audience.” (The Chicago Classical)

This season, Mr. Thomas will perform the title role of Rigoletto with both Florentine Opera and Florida Grand Opera, Michele in Tabarro for Opera Santa Barbara, and a return to Theater Erfurt as the title role in Nabucco. Upcoming engagements include a reprisal of his Amonasro in Verdi’s Aïda with Tulsa Opera.

Last season’s performances included Rigoletto for Tulsa Opera’s outdoor baseball stadium production, as well as for Shreveport Opera’s production. Additionally, he performed in Viva Verdi! for Gulf Shore Opera and a series of both live and virtual recitals. Previously, Thomas performed Michele/Schicchi in Il Trittico with Pacific Opera Victoria, his Opera Shanghai début as the title role in Wagner’s Der fliegende Holländer, Tonio/Alfio in I Pagliacci/Cavalleria Rusticana for Opera Omaha, the title role of Gianni Schicchi with Opera Memphis,  Scarpia in Tosca with New Jersey Festival Orchestra, Melchoir in Amahl and the Night Visitors with Steamboat Springs Symphony, the title role in Wagner’s Der fliegende Holländer with Baltimore Concert Opera, performed in Opera Santa Barbara’s Gala Concert, performed as a soloist in “Verdi in the Valley” with Maryland Opera and as a soloist in Ocean City Pop’s Star Spangled Spectacular concert. He also performed at Theater Erfurt in a ground-breaking production of Der fliegende Holländer and sang the title role of Falstaff with the Crested Butte Festival, in addition to his role there as Artist-in-Residence.

Engagements have also included returns to the Lyric Opera of Chicago as Monterone in Rigoletto, the title role of Verdi’s Falstaff with Manitoba Opera, Sharpless in Madama Butterfly and Renato in Un Ballo in Maschera with Florida Grand Opera, the title role in Rigoletto with Atlanta Opera, Scarpia in Tosca and Rolando in La Battaglia di Legnano with Sarasota Opera, Germont in La traviata with Des Moines Metro Opera, Alberich in Das Rheingold with Pacific Opera Victoria in Canada, and Iago in Otello with Arizona Opera.

Mr. Thomas’ made his Metropolitan Opera début as Dr. Metivier in War and Peace and subsequently returned for Roméo et Juliette.  Other engagements have included Count di Luna in Il trovatore and Falstaff with the Seattle Opera; title role in Rigoletto at Michigan Opera Theatre, Opera Birmingham, Manitoba Opera, Palm Beach Opera, Atlanta Opera, and Austin Lyric Opera; Scarpia in Tosca at New York City Opera, Florida Grand Opera, Opera Lyra Ottawa, Michigan Opera Theatre, Florentine Opera of Milwaukee, Orlando Philharmonic, and Opera Carolina; the title role in Falstaff with Opera Santa Barbara; Tonio/Alfio in  Pagliacci/Cavalleria Rusticana with Arizona Opera and Opera Omaha; Count di Luna in Il trovatore at the Manitoba Opera and Indianapolis Opera; Sharpless in Madama Butterfly with Opera Carolina, Opera Omaha, and Florida Grand Opera; and Amonasro in Aïda with Opera Carolina and North Carolina Opera. 

Mr. Thomas remains a house favorite for several opera companies, appearing season after season. For Nashville Opera, he has he has appeared in two productions of Pagliacci as Tonio, as Amonasro in Aïda, as Rigoletto, and in Amahl and the Night Visitors, L’enfant et les sortilèges, and The Lighthouse (Davies). With Des Moines Metro Opera, performances have included Germont in La traviata, King Melchior in Amahl and the Night Visitors, Captain Balstrode in Peter Grimes, Rigoletto, Macbeth, Iago in Otello, and Renato in Un ballo in maschera.  With the Chautauqua Opera: Miller in Luisa Miller, Enrico in Lucia di Lammermoor, Count di Luna in Il trovatore, Sharpless in Madama Butterfly, and Scarpia in Tosca. Mr. Thomas also appeared in more than 50 performances with the Sarasota Opera including Jack Rance in La fanciulla del West, Ezio in Attilla, Enrico in Lucia di Lammermoor, Scarpia in Tosca, and the title roles of Falstaff, Nabucco, and Macbeth. Of a recent Falstaff performance, Opera News said, “Thomas’s forthright vocalism (featuring wonderful top notes) and apt physique give him a leg up in this part, but he also captured the generous, earthy spirit of Shakespeare’s creation, giving the evening its comic and emotional fulcrum…it’s hard to imagine there are many better Falstaffs working on North American stages today.”

In concert, Mr. Thomas’ most recent engagements include Leoni’s L’oracolo and Montemezzi’s L’incantesimo with Teatro Grattacielo at Avery Fisher Hall; his Carnegie Hall début in Duruflé’s Requiem and Mark Hayes’ Te Deum and Spirit Suite followed by returns for Händel’s Messiah and Mozart’s Coronation Mass.  He enjoyed great success in the world premières and subsequent performances as the baritone soloist in Bob Aldridge’s Parables with the Topeka Symphony. He also sang Beethoven’s Ninth Symphony with the Evansville Philharmonic and numerous pops concerts with the Ocean City Pops Orchestra. Recital dates have included appearances on the various concert series of Elmira College, Grand Rapids Art Museum, Wednesday Music Club Series of Harrisburg PA, and the Glenridge Series of Sarasota.   He also sang a solo recital entitled “If Music be the Food of Love” in Winnipeg, Manitoba as part of a fundraising event for the Community Ministries of The Westminster Church of Winnipeg. 

Early in his career, Mr. Thomas was a member of the MusikTheater Ensemble for Stadttheater Giessen. During his years in Europe, he was a guest artist in Basel, Switzerland, and Heidelberg, Germany, and made his début with Macedonia Opera as Amonasro in Aïda. Mr. Thomas also appeared in Hong Kong, Fiesole, Pisa, Cagnes-sur-Mer, Sarlat, Luzerne, and Utrecht, under the auspices of Stichting Pagliacci of Utrecht University.

Mr. Thomas can be heard on the Naxos recording of Menotti’s Amahl and the Night Visitors. He also recorded a solo disc, Crown Him Lord of All, with Jon Spong, organist.

Updated April 11, 2022

Video

“Eri tu” from Un ballo in maschera

“Dir Frist ist um” from Der Fliegende Holländer

Prologue from Pagliacci 

“Tutto e deserto” from Il trovatore

Excerpt from Rigoletto 

Press

"...his voice is warm and powerful..." – Mein Anzeiger

Der fliegende Holländer – “Todd Thomas impressed the audience with his baritone voice on the premiere evening. His voice is warm and powerful, which can express both loss and longing at the same time.”

"...a commanding performance..." – SchmOpera

Pagliacci – “Todd Thomas gave a commanding performance as the vindictive Tonio. The baritone displayed his vocal versatility in the opening prologue, breaking the fourth wall and drawing the audience into the story before the curtain rises. Tonio is a complex character, and Thomas’ dramatic portrayal was nuanced, prompting both pity and anger.”

"...warm and mellifluous baritone..." – South Florida Classical Review

Un Ballo in Maschera – “As Anckarström, Todd Thomas etched a vivid portrait of a loyal friend and husband turned traitor by jealousy and misplaced rage. “Eri tu” was the appropriate culmination of a cannily realized portrayal with Thomas’ warm and mellifluous baritone taking on just the right edge of angry malevolence.”

"...warm, compelling voice..." – Opera Canada

Simon Boccanegra – “For this production, American baritone Todd Thomas sang the title role, which requires great presence: as the former pirate who becomes Doge of Genoa, he has to grieve for lost love, celebrate a new-found daughter, unite warring Senators and die with convincing slowness. It also requires tremendous vocal flexibility. Thomas’ warm, compelling voice was absolutely secure from bottom to top. And we believed his humanity, his decency and desire for peace..”

"...a resonant voice that is its own force of nature..." – Winnipeg Free Press

Falstaff – “Thomas’ compassionate portrayal, matched by a resonant voice that is its own force of nature, created a multidimensional, all-too-human knight whose shining armor has tarnished.”