S.F. Opera brings Puccini outdoors across the Bay Area
- Mar 23, 2023
Meet Phil Rice
- Mar 12, 2023
Christian M. Gibbs makes Broadway debut in Camelot
- Mar 9, 2023
Thelwell "exceptional" in Madison Opera double bill
- Mar 9, 2023
Turner, Acosta, Thurman, and Jeremiah impress in Virginia Opera "Fellow Travelers"
- Mar 9, 2023
Habersham brings "fresh-voiced' Sophie to HGO Werther
- Mar 9, 2023
Colaneri, Delavan, Blaustein, Martin, Li and Silvestrelli in Maryland Lyric Opera's "Falstaff"
- Mar 9, 2023
Column: Jasmine Habersham to perform Monday with the Macon-Mercer Symphony
- Mar 9, 2023
In Review: Patrick Terry as Minnesota Opera's Rinaldo
- Mar 9, 2023
Sumegi brings his "charismatic and powerful bass-baritone" to Opera Australia "Carmen"
- Mar 9, 2023
Mayes "thrilling" in ENO "It's a Wonderful Life"
- Mar 9, 2023
In Review: Blaustein in Odyssey Opera's "The Lord of Cries"
- Mar 9, 2023
In Review: Borichevsky and Hawk in Nashville's Bohème
- Mar 9, 2023
In Review: Bowers lends "resonant, compelling voice" to Ft Wayne Phil "Carmina burana"
- Mar 9, 2023
Nelson "stellar" in Opera Orlando Magic Flute
- Mar 9, 2023
In Review: Daniel Belcher in Houston Grand Opera's "The Wreckers"
- Mar 9, 2023
Havey and Lugo impress in "vibrant" Pittsburgh Opera "Le nozze di Figaro"
- Mar 9, 2023
In Review: Irvin and Peterson in Madison Opera's "Salome"
- Mar 9, 2023
Opera News: Flora Hawk "delightful" in Chicago Opera Theater's "Quamino's Map"
- Mar 9, 2023
In Review: Biller and Riesen in Knoxville Opera's "The Merry Widow"