LOGAN WAGNER
TENOR
BIOGRAPHY
Logan Wagner is rapidly gaining recognition as a versatile performer in opera, musical theatre, and concert repertoire. Described as a “standout performer,” (Cache Valley Daily) he is known for his expressive stage presence and compelling physicality.
In the 2025-2026 season, Logan joins Pittsburgh Opera’s Resident Artist Program, performing several principal roles, including Timothy Laughlin in Fellow Travelers, Fenton in Falstaff, The Madwoman in Curlew River, and José in the world premiere performance of Laura Kaminsky’s Time to Act. Also this season, Logan appears as J. Edgar Hoover/Eisenstein in the workshop premiere of Robeson with PEAK Performances. In the summer of 2025, Logan débuted with Santa Fe Opera as a member of the prestigious Apprentice Program, where he covered Borsa in Rigoletto and was featured in the Apprentice Scenes Concert.
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Other notable performances include Lysander in A Midsummer Night’s Dream at University of Cincinnati College-Conservatory of Music (CCM), Don José in Carmen with the City Choir of Washington, Brother in The Seven Deadly Sins in his débuts with New World Symphony and Hilton Head Symphony, Tenor Soloist in Handel's Messiah with Dayton Philharmonic, Beadle Bamford in Sweeney Todd with Dayton Opera, Monastatos in Die Zauberflote with Utah Festival Opera, and Marcellus/Gravedigger in Hamlet in his début with Cincinnati Symphony Orchestra, in collaboration with Opéra-Comique. In summer 2024, Logan joined Wolf Trap Opera as a Studio Artist, where he performed Brother in The Seven Deadly Sins, Prune Man in La bohème, and covered the role of Kronprinz in Silent Night. He has also been an Apprentice Artist with Des Moines Metro Opera where he performed scenes from Die Zauberflote (Tamino), and Don Giovanni (Don Ottavio).
A committed advocate for new music, Logan originated roles in Bulrusher by Nathaniel Stookey and Robeson/Moscow by Scott Davenport Richards in workshop with Cincinnati Opera: Opera Fusion. In February of 2024, Logan performed the role of Clarence Elkins in Blind Injustice by Scott Davenport Richards and David Cote, which was conducted by Ted Sperling and streamed on PBS.
In 2025, Logan was a District Winner in the South Carolina Laffont Competition. He has placed in various competitions throughout the United States, including the Gigli International Voice Competition where he received an Encouragement Award. He was named Finalist in the MIOpera International Vocal Competition,
Partners for the Arts competition and Houston Saengerbund competition, and Semi-Finalist in the Pasadena Vocal Competition where he received a Career Grant. He also won Third Place in the Orpheus Vocal Competition, was named Finalist in the Lotte Lenya Competition, Second Place in the Rochester Oratorio Society International Vocal Competition, and Grand Prize Corbett Award Winner at the Corbett Competition in spring 2024.
Logan completed his operatic studies at CCM, earning his Bachelor of Music in 2020, Master of Music in 2023, and recently graduating from CCM’s competitive Artist Diploma program.
Current as of July 25, 2025
CRITICAL ACCLAIM
“...perfectly cast Logan Wagner, a tenor...” - Pittsburgh Post-Gazette, Jeremy Reynolds
Fellow Travelers - “Timid youngster Timothy Laughlin — a perfectly cast Logan Wagner, a tenor — arrives in Washington D.C. and is swept off his feet by the gregarious and practiced Hawk Fuller.”
Fellow Travelers - “Wagner is excellent as the timid Timmy, a shy and earnest Catholic boy who wants to defend America against Communism. When he falls for Hawk, he has to reconcile his passions with his faith. Wagner’s voice is amazing. It’s a star turn for the talented tenor.”
“Wagner’s singing has a lovely, expansive quality...” - onStage Pittsburgh
Fellow Travelers - “Love disrupts Tim’s life and makes him vulnerable. This pious Catholic young man rushes to the church, torn between the guilt of his faith and the excitement of his budding passion, his knees on the floor. Tim’s aria “Last Night” is one of the more challenging passages because of its emotional intensity. Wagner’s singing has a lovely, expansive quality in “Last Night”.”
“...deeply affecting...” - Parterre Box, John Ryan
“...Impressive control and precision...” - Parterre Box, John Ryan
“His lyric voice easily conveyed the character’s vulnerability...” - Parterre Box, John Ryan
Fellow Travelers - “Tenor Logan Wagner gave a deeply affecting performance as Tim, conveying both the innocence of the character but also his strong belief in the conservative cause. His lyric voice easily conveyed the character’s vulnerability, and he executed the brief, darting ornaments at the end of his aria “Last night” with impressive control and precision.”
"A standout... [with] a lovely tenor voice..." - Cache Valley Daily
Man of La Mancha - “A standout among the supporting cast members is Logan Wagner, who lends a lovely tenor voice to the ballad 'To Each His Dulcinea' and a requiem psalm as the Padre.”
REPRESENTATIVES
General