
RICARDO LUGO
BASS
BIOGRAPHY
Praised for his “resonant, full-voiced basso” by Opera News, Puerto Rican bass Ricardo Lugo is a versatile international artist in demand on the operatic and concert scene. Having made his Metropolitan Opera début as Un Barnabotto in La Gioconda, Mr. Lugo has since been involved in multiple productions with the company including The Nose, Pelléas et Mélisande, Otello, Tannhäuser, Tosca, Turandot, Manon Lescaut, Madama Butterfly, Die Meistersinger von Nürnberg, Ariadne auf Naxos, Khovanshchina, Billy Budd, La fanciulla del West, Adriana Lecouvreur, Macbeth, Lady Macbeth of Mtsensk, The Gambler, Die Zauberflöte and Salome.
In the 2025-26 season, Mr. Lugo makes exciting returns to Virginia Opera as Ramphis in Aida and North Carolina Opera as Ferrando in Il trovatore. Last season, he reprised his Captain in Florencia en el Amazonas with North Carolina Opera, and he returned to Virginia Opera as the Commendatore in Don Giovanni and to the Metropolitan Opera for their production of Salome.
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Recent seasons brought Mr. Lugo’s return to Virginia Opera as Fafner in Siegfried, Dulcamara in L’elisir d’amore with Opera de Puerto Rico, the Captain in Florencia en el Amazonas with Nashville Opera, and Raimondo in Lucia di Lammermoor with New Orleans Opera. Additional recent engagements saw a return to Virginia Opera as Hunding in Die Walküre, Bartolo in Le nozze di Figaro to Pittsburgh Opera, Simone in Gianni Schicchi at Hawaii Opera Theater, and joining San Francisco Opera to cover the One-Eyed Man in Die Frau ohne Schatten and sing the role of Aldeanos #3 in El último sueño de Frida y Diego.
Moreover, Mr. Lugo recently joined Virginia Opera as Fafner in Das Rheingold and as Alcindoro in La bohème, bowed as Colline with Culturarte (Puerto Rico), as Fasolt in Das Rheingold with Nashville Opera, and as Oroveso in Norma with Musica Viva Hong Kong. He has joined Detroit Opera as the Commendatore in Don Giovanni, Timur in Turandot, Alfieri in Bolcom’s A View from the Bridge, Don Fernando in Fidelio, and the French General in Silent Night. Additionally, he has sung Dulcamara in L’elisir d’amore with Opera Memphis, Mr. Page in The Merry Wives of Windsor with Boston Midsummer Opera, the Sacristan in Tosca and Bartolo in Le nozze di Figaro with Sarasota Opera, Bartolo in Le nozze di Figaro with the Princeton Festival, Wachtmeister/Der Holsteiner in Richard Strauss’ Friedenstag with the America Symphony Orchestra, Timur in Turandot with Virginia Opera, Bartolo in Le nozze di Figaro with Vancouver Opera, and Sacristan in Tosca with Arizona Opera.
With the San Francisco Opera, Lugo has appeared as Reinmar von Zweter in Tannhäuser, the Second Priest in Die Zauberflöte as well as Sarastro in their adapted Magic Flute for families, and covered Banquo in Macbeth. He made his Washington National Opera début singing Bonzo in Madama Butterfly, conducted by Maestro Plácido Domingo, and performed Annibale Pistacchio in Donizetti’s Il campanello di notte with Santa Fe Opera’s new One Hour Opera Performances. As an apprentice artist with The Santa Fe Opera, he was featured as the King in Massenet’s Cendrillon with Joyce DiDonato and Richard Stilwell, directed by Laurent Pelly and conducted by Kenneth Montgomery and as the First Soldier in Strauss’ Salome, conducted by John Fiore.
Mr. Lugo performs regularly with all the opera companies of his native Puerto Rico. With the Opera de Puerto Rico, he has performed Don Alfonso in Cosi fan tutte; Dr. Grenvil in La Traviata; Colline in La bohème; Basilio in Il barbiere di Siviglia; and Angelotti in Tosca. For Teatro de la Opera, he added the roles of Pietro in Simon Boccanegra; Masetto in Don Giovanni; Tom in Un ballo in maschera; Crespel in Les contes d’Hoffmann; Frere Laurent in Roméo et Juliette; the Speaker in Die Zauberflöte; Ludovico in Otello; and Bartolo in Le nozze di Figaro. He has also taken part in CulturArte, where he performed the roles of Dr. Grenvil in La Traviata, opposite Carol Vaness and Plácido Domingo; and Ludovico in Otello opposite June Anderson and Placido Domingo, both conducted by Eugene Kohn.
On the concert platform Ricardo has sung Verdi’s Requiem, Beethoven’s Missa solemnis, Mozart's Requiem, St. John Passion, Mendelssohn’s Magnificat, Handel’s Messiah, Haydn’s The Creation, and Berlioz’ Romeo et Juliette with such orchestras as New Mexico Symphony, Puerto Rico Symphony and the Santa Fe Symphony. He has also appeared with the acclaimed Opera Orchestra of New York as Jacopo Loredano in I due Foscari conducted by Eve Queler. Lugo made his New York Recital Début in February 2006 at the Liederkranz Foundation. Additionally, he was featured as Jose Tripaldi in the acclaimed production of Osvaldo Golijov’s Ainadamar, directed by Peter Sellars, during Lincoln Center’s Festival entitled “The Passion of Osvaldo Golijov”.
Current as of August 6, 2025
CRITICAL ACCLAIM
"... a most sympathetic Frère Laurent..." – Opera News
Roméo et Juliette – “Lugo used his full-voiced basso as a most sympathetic Frère Laurent who showed great care for the lovers."
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“... Lugo lent his huge, round bass sound…” – Opera News
Don Giovanni – “the production was brimming with excellent performances . . . Ricardo Lugo lent his huge, round bass sound to the ghostly Commendatore."
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"Mr. Lugo brings oodles of character to his Capitán..." – Ear Relevant
Florenzia en el Amazonas – "Mr. Lugo brings oodles of character to his Capitán, and he has the seasoned craft to make this substantial role into one of the production’s chief assets."
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"... vocally commanding…” – The Virginia Gazette
Turandot – “Bass Ricardo Lugo (Timur) was vocally commanding and easily captured his every moment on stage.”
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"... Lugo’s unyielding bass..." – Opera News
Silent Night – “Lugo’s unyielding bass gave the disapproving French general a granite edge.”
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"... made a vibrant impression..." – Oberon’s Grove
Friedenstag – “Bass Ricardo Lugo (above), as the opposing general, made a vibrant impression with his imposing voice and intrinsic sense of the drama. He was an excellent foil for Mr. Albert, and, between these two powerhouse voices, they kept our focus on the work keenly secured.”
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"... resonant voice and commanding stage presence..." – The Examiner
A View from the Bridge – “Returning to the company is bass Ricardo Lugo, whose lends the storyteller Alfieri both his resonant voice and commanding stage presence. When he describes Eddie’s eyes as resembling two dark tunnels, the hairs on one’s arms stand at attention.”









