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Plumshuga: The Rise of Lauren Anderson

Play/Choreopoem

Music by: Jasmine Barnes

Script by: Deborah D.E.E.P. Mouton


Duration: 2 hrs 30 mins


Originally Premiered by Edison Arts Foundation

 


Born in Houston, TX, Lauren Anderson rose from the streets of Third Ward to become the first Black Principal Dancer of the Houston Ballet. However, this ascension did not happen without its challenges. Between the internal pressures of a single-parent home, her tumultuous romantic relationships- often centered in abuse, and her addiction to alcohol and cocaine, she tried every path to find a coping mechanism for processing her own doubts about her body and worthiness. While that would be the end of many stories, she emerged on the other side sober and with a deeper connection to serving her community.  Plumshuga is a choreopoem that allows the audience share an intimate conversation with Anderson as she breaks the fourth wall to discuss her greatest trials and successes by reliving  them in moments of dance. This unique blend of poetic lyricism and dance offers a more vivid and intimate look into her rise and impact as ballet royalty.


FORCES


Singers:

Lauren (narrator) - age 40’s/50's; speaks in poetry, dark-complexion, muscular

Young Lauren - age 16-20; dark complexion ballerina

Mature Lauren - age 21-30; dark complexion ballerina

Love - male presenting dancers with alternating genres

Sugarplum Fairy - white, 20's, ballerina

Ben - white, male presenting, 40's-50's

Carlos - male, 20's dark complexion ballet dancer.

Lauren’s Father - male presenting, black, contemporary dancer

Lauren’s Mother - female presenting contemporary dancer

Nic - white, male presenting, 20's, ballet dancer

Classmates - two white ballerinas

Firebird dancers - 3 additional black dancers including 1 ballerina in their late 20's/early 30's

Sprites - Double casted Carlos, Love, Nic, Lauren's mom, Lauren's Dad and Young

Lauren

Addiction - 4-5 bodies, double casted love dancers


Orchestration:

Piano Tracks



Project Statement

Written by former Houston poet laureate Deborah D.E.E.P. Mouton and with music by Jasmine Barnes, this is the story of Lauren Anderson, the first Black performer to be named a principal dancer to the Houston Ballet. Anderson's place in history and her unmatched talent as an artist are part of this story. But so are the sacrifices and struggles she endured to get there, and the long road to accepting herself.

Following Lauren's journey as a Black child and artist through the white world of dance, Plumshuga brings the audience along on the fluid sweep of memory through choreography that blends classical ballet and modern form.

Anyone who's ever felt less-than, who's been excluded, who's wondered if they were enough will recognize something kindred in this story, which is set to be the don't-miss-it-show of the season. Plumshuga is big and bold and beautiful, and showcases so much of the very best of this city and its artists.


 

MEDIA





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