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SÉBASTIAN GUÈZE

TENOR

BIOGRAPHY

Sébastien Guèze is one of the few French tenors to have distinguished himself internationally in the greatest roles of the French and Italian romantic repertoire in recent years. His engagements include prestigious theatres such as La Monnaie de Bruxelles, the Theater an der Wien, the Semperoper Dresden, the Grand Théâtre in Geneva, Teatro La Fenice in Venice, and the Metropolitan Opera. Sébastien Guèze was recently distinguished Knight of the Order of Arts and Letters by the French Ministry of Culture in July 2021 after 50 roles, 80 productions, and 400 performances.


Last season Guèze returned to the Saint-Etienne Opera House for Pyrrhus in Andromaque and he sang Jean in Hérodiadewith Deutsche Oper am Rhein. He also performed Mozart’s Requiem in Rennes, in addition to concerts in Niort and Calvi, Corsica. This season, Guèze returns to Opera North for his role début as Ruggero in La Rondine and he sings Cavaradossi in Tosca with Opéra Grand Avignon.

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In previous seasons, Guèze performed Pinkerton in Madama Butterfly at the Angers-Nantes Opera, the role of Shakespeare at the Wexford Festival in their production of Le Songe d'une nuit d'été, and Don José in Carmen with both Teatro Massimo (Palermo) and Opera North. Sébastien performed the title role in Les contes d'Hoffmann in Dresden, Essen, and Cologne conducted by Kent Nagano, Don José in Carmen in Geneva, Leipzig, and Seville, the title role of Werther at La Fenice, Faust in Omaha, and Lensky in Eugene Onegin in Charlotte, La vestale by Spontini at the Theater an der Wien, Roméo in Roméo et Juliette in Hong Kong, Maurizio in Adriana Lecouvreur in Saint Etienne and Faust in La damnation de Faust at the Met.


In his early days, his career consisted of a master's degree in international commerce at the Institute of Administrations and Enterprises of Montpellier, then a First Prize in singing at the C.N.S.M.D. from Paris. He won the Audience Prize and the Second Prize of the Operalia - Placido Domingo Competition in 2006. From then on, he was hired for his first Rodolfo in La bohème at the Athens Opera, directed by Graham Vick, a role that he sang on the stages of La Fenice, at La Monnaie in Brussels, Geneva, Helsinki, Cologne, Austin, Leeds Opera North, Bordeaux, and Liège among others.


He has also performed Alfredo in La Traviata at the Semperoper in Dresden, at the Wielki Theater in Warsaw, and at La Monnaie; the title role in Les contes d'Hoffmann at the Aalto Theater in Essen, Freiburg, Bonn, and Wiesbaden in Germany; Roméo in Roméo et Juliette in Amsterdam, Monterrey in Mexico, and Miami; Nemorino in L’elisir d'amore in São Paulo, Brazil; the Chevalier Des Grieux in Manon in Marseilles and Vilnius; Il Duca in Rigoletto in Guadalajara and Mantova alongside Placido Domingo; the title role of Faust in Wroclaw, Omaha, Toulon, Reims, Pamplona; Pelléas et Mélisande at the Opéra de Nice; Pinkerton in Madama Butterfly in Avignon; Nadir in Les pêcheurs de perles at the Opéra National du Rhin, and Le Chevalier de La Force in Dialogues des Carmélites at the Opéra National de Lyon.


He performs rarities from the French repertoire: Fabrice del Dongo in La Chartreuse de Parme by Sauguet at the Marseille Opera; Pyrrhus in Andromaque by Grétry in Brussels, Nuremberg, at the Festival de Radio France, and at the Théâtre des Champs-Elysées; Mylio in Le roi d'Ys in Liège, Saint-Etienne, Montpellier, and at the Opéra Comique in Paris; Shahabarim in Salammbô by Reyer; Vincent in Mireille in Marseille; Floreski in Lodoïska by Cherubini at the Santa Cecilia Academy in Rome and at the Theater Champs Elysées; the creations of Marius in Marius et Fanny by Vladimir Cosma; Jacques in Un amour en guerre by Caroline Glory and Patrick Poivre d´Arvor in Metz; as well as Christian in Cyrano by David DiChiera in Miami and Detroit. He also sings in concert at the Chorégies d'Orange, at the Salle Pleyel, at the Harare International Arts Festival in Zimbabwe, at the Alizés Festival in Morocco, at the Oji Hall in Tokyo, at the Grand Hall Philharmonic in Saint Petersburg, and at the Walt Disney Concert Hall in Los Angeles.


Current as of August 17, 2023



CRITICAL ACCLAIM


"...intense yet agile timbre..." – Omaha World-Herald


Faust – "The title character, Faust, was sung by another Omaha debut artist, Sebastian Guèze. His intense yet agile timbre allowed him to present the desperate and dreamy character triumphantly. Faust longed to be young again, and Guèze managed to sing with a chilling balance of longing and vigor."

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"...flattering color, and a supple and powerful voice... ” – Forum Opera


Adriana Lecouvreur – "Haughty and elegant, truthful in his articulation and precise in his diction, Sebastien Gueze presents a devilishly romantic Maurizio, with a flattering color, and a supple and powerful voice. ”

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"...a depth and emotional edge..." – South Florida Classical Review


Cyrano – "The young French singer Sébastien Guèz brought a real leading man’s voice to the role, allowing some rawness to creep into his singing at moments of high passion. The new aria that DiChiera has written for the third act, in which Christian realizes Roxane really loves not him but Cyrano, is a classic grand opera show-stopper, and Guèz delivered it with a depth and emotional edge that gave the character a redeeming integrity."

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"...a charismatic bundle of energy..." – Bachtrack


La bohème – "Sébastien Guèze, a charismatic bundle of energy as Rodolfo, proved very well that he was one of the warm and caring sort in an immaculately-wrought 'Che gelida manina.'"

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"...a spectacular voice with a crystal clear upper register..." – EDGE Media Network


Roméo et Juliette – "The true standout of the evening was Sébastien Guéze's Romeo. Guéze is an up-and-coming tenor from France and he has a spectacular voice with a crystal clear upper register. His voice has a power and beauty that is rarely heard. Roméo is a difficult role to sing demanding a strong control of the upper register and the ability to go from forte to pianissimo on the high B-flats. Guéze handled this deftly and beautifully."

REPRESENTATIVES

Vanessa Uzan

Founder & President


Elliot Brown

Agent | Classical & Artist Promotion

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