In Review: Bix in Folk Operetta's "Die Kathrin"
- Mar 9, 2023
Tucker and Krause "mesmerizing" in North Carolina Opera "Die Zauberflöte"
- Mar 9, 2023
Slate.com: Musician Kathleen Kelly on Conducting, Accompanying, and Coaching
- Mar 9, 2023
In Review: Kelly in DC Vocal Arts recital with Elena Villalon
- Mar 9, 2023
Zeniodi impresses at the La Maestra competition
- Mar 9, 2023
"You" featuring Kathleen Kelly's text "unforgettable"
- Mar 9, 2023
In Review: Patiño and Zabala for Opera de Tenerife's Florencia
- Mar 9, 2023
Faircloth's "Barber of Seville" with The Dallas Opera offers a "hearty visual feast"
- Mar 9, 2023
In Review: Kathleen Belcher and Matt Boehler for FGO's "Rigloetto"
- Mar 9, 2023
In Review: Annie Rosen in "L'enfant et les sortilèges" with Florentine Opera Company
- Mar 9, 2023
In Review: Faricloth directs "Il barbiere di Siviglia" at Lyric Opera of Chicago
- Mar 9, 2023
Faircloth's "Ariadne auf Naxos" at Wolf Trap Opera is an "effervescent treat"
- Mar 9, 2023
In Review: Faircloth's "Agrippina" with Ars Lyrica is "wildly successful"
- Mar 9, 2023
ADA Artist Management Launches New Website
- Mar 9, 2023
The songSLAM
- Mar 9, 2023
The Art Song Magazine
- Mar 9, 2023
'Fat Pig' unfolds operatic story of love, cruelty and bias
- Mar 9, 2023
Stephanie Blythe and Warren Jones delight at Carnegie Hall
- Mar 9, 2023
Lexicon Classics Announces First Album ‘Lament’
- Mar 9, 2023
Sparks in Print