Marino and Mayes featured in High Times article, "Opening the Curtain on Cannabis in the Opera"
- Mar 9, 2023
In Review: Carico and Krause in "The Snow Queen" at the Concertgebow Amsterdam
- Mar 9, 2023
Jeremiah lends his "powerful" baritone to OCM "Orphée aux enfers"
- Mar 9, 2023
In Review: Sanders as Monostatos in "The Magic Flute" with Opera Theatre of St. Louis
- Mar 9, 2023
Rehanna Thelwell "stupendous" in her role debut as Carmen at WNO
- Mar 9, 2023
Habersham "luminous" in Verdi concert with the Atlanta Symphony
- Mar 9, 2023
Rebecca Ringle Kamarei "compelling" in Alma Mahler focused concert
- Mar 9, 2023
"Belén: Un Canto Sagrado a Mis Ancestros" by Johanny Navarro
- Mar 9, 2023
In Review: Pearce as Don José in WNO "Carmen"
- Mar 9, 2023
In Review: Hawk makes a "charming" Poppea in Florida Grand Opera "Agrippina"
- Mar 9, 2023
Daniel Sumegi lends "commanding bass" to Opera Australia "Lohengrin"
- Mar 9, 2023
In Review: Elaine Alvarez & Catherine Martin in "Don Carlos" with Maryland Lyric Opera
- Mar 9, 2023
In Review: Hawk, Geter, and Howard impress with COT's "Quamino's Map"
- Mar 9, 2023
Habersham and Sanders impress in Madison Opera "Orpheus in the Underworld"
- Mar 9, 2023
In Review: Riesen and Irvin in "The Pirates of Penzance" with Utah Opera
- Mar 9, 2023
In Review: Alvarez provides "breathtaking" Violetta in Fort Worth "La Traviata"
- Mar 9, 2023
Opera News hail's Faircloth's "Die Lustigen Weiber von Windsor" at Juilliard
- Mar 9, 2023
In Review: Ollarsaba and Ferrante in Virginia Opera's "Le nozze di Figaro"
- Mar 9, 2023
In Review: Parks in Detroit Opera's "La bohème"
- Mar 9, 2023
Martin makes a "scintillating debut" in Opera Carolina's "Aïda"