Opera News hails Zetlan and Thurman for "Jane Eyre" recording
- Mar 9, 2023
In Review: Rofrano leads "energetic and light-hearted reading" of "Cendrillon" with City Lyric Opera
- Mar 9, 2023
In Review: Faircloth and Wood illuminate Austin's "Rigoletto"
- Mar 9, 2023
In Review: McIntyre, Bix, and Sanders in DMMO "Sweeney Todd"
- Mar 9, 2023
Opera News commends Krumm's "exquisite" performance as Meg in "Little Women"
- Mar 9, 2023
Krumm brings "rich vocal color and sheer self-assurance" to "Cavalleria rusticana"
- Mar 9, 2023
In Review: Wolverton, Abreu, and Outlaw impress in Mill City's "Così fan tutte"
- Mar 9, 2023
Opera News hails Wolverton in Madison Opera "Rusalka"
- Mar 9, 2023
In Review: Slack "transcendent" in Fort Worth Opera's "Porgy & Bess"
- Mar 9, 2023
In Review: Slack "shines" in "Fire Shut Up In My Bones" at Opera Theatre of St. Louis
- Mar 9, 2023
In Review: Colaneri and Latini in The Glimmerglass Festival's "The Ghost of Versailles"
- Mar 9, 2023
Latini brings "jaw-dropping vocals" to Calgary "La bohème"
- Mar 9, 2023
In Review: Calenos and Whitney in Cleveland Opera Theater's "La bohème
- Mar 9, 2023
In Review: Calenos in "Die Fledermaus" at the Greek National Theater
- Mar 9, 2023
In Review: Alvarez as "Aida" gives "breathtaking lyricism"
- Mar 9, 2023
PRESS RELEASE: Soprano Elaine Alvarez steps in as Aïda with Ricardo Muti and the Chicago Symphony O
- Mar 9, 2023
Habersham "exquisite" in Minnesota Opera's "The Fix"
- Mar 9, 2023
In Review: Anderson and Habersham impress in Berkshire Opera Festival "Falstaff"
- Mar 9, 2023
In Review: Vickers in the Naxos release of Risurrezione with Maggio Musicale Fiorentino
- Mar 9, 2023
In Review: Vickers makes his Lyric Opera of Chicago debut