Opera News: Conor McDonald brings "warm voice" and "winning personality" to Glim
- Mar 9, 2023
In Review: Faircloth, Conyers, and McDonald in Wolf Trap Opera's "Ariadne auf Naxos"
- Mar 9, 2023
In Review: Joshua Jeremiah in Opera Company of Middlebury's "Candide"
- Mar 9, 2023
Bryan impresses as Beaumarchais in Glimmerglass "The Ghosts of Versailles"
- Mar 9, 2023
Blumberg lends a "lyrical, resonant bass" to Bach's Christmas Oratorio with Apollo
- Mar 9, 2023
Opera News Review: Blumberg in BLO's "Fellow Travelers"
- Mar 9, 2023
In Review: Gartland and MacKenzie in San Diego Opera's "Hansel und Gretel"
- Mar 9, 2023
MacKenzie brings "appealing, impeccably-controlled vocalism" to North Carolina "Tosca
- Mar 9, 2023
In Review: Ollarsaba as Don Giovanni in Grand Rapids
- Mar 9, 2023
Sanders "captivating" in DMMO "Fellow Travelers"
- Mar 9, 2023
Packer brings his "clear tenor" to Lincoln Center "Masters of the Spiritual"
- Mar 9, 2023
"Bright-voiced" Packer "excellent" in Metropolitan Opera's "Fire Shut Up in My Bones"
- Mar 9, 2023
Hernandez and Ferrante triumph in Chicago Opera Theater's "Elizabeth Cree"
- Mar 9, 2023
Opera News: Ferrante "delightful" in Opera Omaha's "Pagliacci"
- Mar 9, 2023
In Review: Babcock and Ollarsaba in Bar Harbor "Carmen"
- Mar 9, 2023
Marble City Opera’s ‘Lily’ – Audrey Babcock Is Spellbinding in One-Woman Show
- Mar 9, 2023
In Review: Thompson in The Glimmerglass Festival's "Silent Night"
- Mar 9, 2023
Opera News: Thompson brings "mahogany-timbered" bass to Glimmerglass Festival "Vixen"
- Mar 9, 2023
Bix brings his "brilliantine tenor" to DMMO "Wozzeck"
- Mar 9, 2023
In Review: Zetlan shines in wildly successful "Ellen West"