In Review: Staufenbiel and Irvin in Minnesota Opera's "Elektra"
- Mar 9, 2023
Opera News hails Staufenbiel and Irvin in Minnesota Opera "Elektra"
- Mar 9, 2023
Thurman brings "bright, facile sound" to Florentine "La bohème"
- Mar 9, 2023
Flora Hawk to debut with Houston Grand Opera
- Mar 9, 2023
In Review: Flora Hawk in Opera Saratoga's "Hansel and Gretel
- Mar 9, 2023
Opera News: McIntyre, Mayes, Gartland, and Watson excel in Des Moines Metro Opera "Wozzeck"
- Mar 9, 2023
Gartland lends her "radiant, full-bodied soprano" to DMMO's "The Queen of Spades"
- Mar 9, 2023
Marino "simply delightful" as Santa Fe Opera's Cherubino
- Mar 9, 2023
In Review: Marino in The Metropolitan Opera's "Boris Godunov"
- Mar 9, 2023
In review: Laura Claycomb joins the San Francisco Symphony for Strauss' Brentano Lieder
- Mar 9, 2023
In Review: Laura Claycomb and Daniel Belcher in the world premiere of “The Scarlet Letter”
- Mar 9, 2023
Carico garners rave reviews for his Sancho Panza in "Don Quichotte" at Deutsche Oper Berlin
- Mar 9, 2023
In his house debut, "fantastic singer-actor" Seth Carico excels in Staatstheater Hannover
- Mar 9, 2023
In Review: Thelwell "stunning" in Madison Opera in the Park
- Mar 9, 2023
Tucker and Watson impress in San Diego Opera "Carmen"
- Mar 9, 2023
In Review: Tucker in Opera Maine's "Elixir of Love"
- Mar 9, 2023
In Review: Rosen an "excellent" Adalgisa in Calgary Opera's "Norma"
- Mar 9, 2023
In Review: Rosen and Jeremiah in Opera Company of Middlebury's "Maid of Orleans"
- Mar 9, 2023
In Review: Ollarsaba, Barron, and Whyte in Opera Hong Kong's "Don Giovanni"
- Mar 9, 2023
Whyte "absolutely superb" in Heartbeat Opera "Der Freischütz"